Jan – March ‘09

Posted in Art, Experimental, Installation, Objects, Paper, Projects, Sculpture with tags on April 19, 2009 by Isabelle Desjeux
Isabelle's new studio

Isabelle's new studio

January: moving

February: adapting

March: settling

April: almost there

I could go on…

Preparing an exhibition for June at House (See Postcards from Seletar, below). I cannot reveal any works before they are finished. So, here is a piece of the totally unfinished studio, full of a mixture of small sculptures, kinetic or not. Some are headed for the exhibition (of paper sculptures), some for nowhere (they are experiments), and some for the hospital where they will serve as props in my workshop for the nurses at SGH.

December

Posted in Art, Collage, Drawing, Exhibition, Pen and Ink, Printmaking with tags on December 8, 2008 by Isabelle Desjeux
Sample of Pameran Poskad '08

Sample of Pameran Poskad '08

Pameran Poskad ‘08

If you have missed the opening of Pameran Poskad ‘08, I urge you to go down to the House as soon as possible.

There are over 2000 small artworks on display for your enjoyment. It is all very exciting to see the variety of media used – the most unconventional one being cookie dough (in my opinion). There are Prints, drawings, metalworks, needleworks (flat and 3-D), clay, photography, books… I’ll be going back this week to have a better look at it, in the daytime and without the crowd, and will probably be buying a few (hoping there are some left!).

Click on the image above to see my postcards in more detail. I submitted very classical works this time: collage, engraving, engraving print, mixed media (engraving print and ink) and drawing. The works are currently all exhibited at the House, until the 20th of December (11am – 7pm daily, except 12th Dec.).

November

Posted in Art, Exhibition, Installation, Objects, Paper, Sculpture on November 24, 2008 by Isabelle Desjeux
Open to Find True Happiness

Open to Find True Happiness

This month, the “Chair of Biology” got exhibited once more, as part of an installation called “Open to Find True Happiness”.

The venue was a private function, and the exhibition counted other visual artists (acrylic painting by Anthony Tan , photography by Ulla Graton, ink painting on rice paper by Sandrine Tusin), and a beautiful voice performance of various songs by Guylene Harris.

The picture above is of the installation earlier, in my garden. Here is the full description of the installation and it’s meaning:

As one looks on, one sees only a living room. But beware, all is not what it seems. The paper chair is a “Chair of Biology”, made using the artist’s recycled biology thesis. The lamp is a paper “Lamp of Enlightenment” produced using one year’s schoolwork (the artist’s daughter’s). The footstool has designs inspired by plant embryos painted on it (and is just there to help create the impression of a cosy room), and the book is nothing more that its cover (despite or because of the promises of the title).
By using meaningful paper as building material, I want to change the perception we have of the chair, the lamp. These objects are functional, but their importance as “chair” or “lamp” becomes challenged once we know they are made from “important” paper – they become the thesis or the schoolwork, at least in the mind of the “paper donors”, and hopefully in the mind of the viewer. Can memory be transmitted from one person to the other?
As the viewer ponders about the implications of opening the book or not, it is hoped he will realise that he is also part of the cycle of life and will be recycled into something he doesn’t choose.